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	<title>Yvette Berry | ROUTES</title>
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	<description>A Guide to African-American Culture</description>
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		<title>The Gateways Orchestra Brought Decades of Struggle to a Peak</title>
		<link>https://routes-mag.com/the-gateways-orchestra-brought-decades-of-struggle-to-a-peak/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-gateways-orchestra-brought-decades-of-struggle-to-a-peak</link>
					<comments>https://routes-mag.com/the-gateways-orchestra-brought-decades-of-struggle-to-a-peak/#comments</comments>
		
		<dc:creator><![CDATA[Yvette Berry]]></dc:creator>
		<pubDate>Mon, 09 May 2022 14:50:27 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Festival]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[African-American composers]]></category>
		<category><![CDATA[Anthony Parnther]]></category>
		<category><![CDATA[bandleader]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Clive Gillinson]]></category>
		<category><![CDATA[Cooper Union]]></category>
		<category><![CDATA[Dr. Cory Hunter]]></category>
		<category><![CDATA[Fantasia]]></category>
		<category><![CDATA[Florence Price]]></category>
		<category><![CDATA[George Walker]]></category>
		<category><![CDATA[Grammy]]></category>
		<category><![CDATA[Haydn]]></category>
		<category><![CDATA[Isaac Stern]]></category>
		<category><![CDATA[James V. Cockerham]]></category>
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		<category><![CDATA[Jon Batiste]]></category>
		<category><![CDATA[Late Show with Steven Colbert]]></category>
		<category><![CDATA[Lee Koonce]]></category>
		<category><![CDATA[Lift Every Voice and Sing]]></category>
		<category><![CDATA[Negro National Anthem]]></category>
		<category><![CDATA[piano music]]></category>
		<category><![CDATA[The Caged Bird]]></category>
		<category><![CDATA[The Gateways Orchestra]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39421</guid>

					<description><![CDATA[<p>On a sunny clear day in April, my managing editor and I met up in the lobby of Carnegie Hall. We were there not just</p>
<p>The Post<a href="https://routes-mag.com/the-gateways-orchestra-brought-decades-of-struggle-to-a-peak/">The Gateways Orchestra Brought Decades of Struggle to a Peak</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>African-American Pianists at the Gateways Music Festival</title>
		<link>https://routes-mag.com/the-pianists-played-to-an-appreciative-audience/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-pianists-played-to-an-appreciative-audience</link>
					<comments>https://routes-mag.com/the-pianists-played-to-an-appreciative-audience/#respond</comments>
		
		<dc:creator><![CDATA[Yvette Berry]]></dc:creator>
		<pubDate>Wed, 27 Apr 2022 18:31:31 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[African-American composers]]></category>
		<category><![CDATA[Afro-Cuban Concerto]]></category>
		<category><![CDATA[Aldo Lopez Gavilan]]></category>
		<category><![CDATA[Artina McCain]]></category>
		<category><![CDATA[Atlanta Symphony]]></category>
		<category><![CDATA[Black and Tan Fantasy]]></category>
		<category><![CDATA[Brian Rafael Nabor]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Cincinnati Symphony Orchestra]]></category>
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		<category><![CDATA[Elain Kaufman Cultural Center]]></category>
		<category><![CDATA[England]]></category>
		<category><![CDATA[Frederic Chopin]]></category>
		<category><![CDATA[Gateways Music Festival]]></category>
		<category><![CDATA[gospel]]></category>
		<category><![CDATA[Joseph Joubert]]></category>
		<category><![CDATA[Joseph Williams]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Lincoln Center]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Manhattan School of Music]]></category>
		<category><![CDATA[Margaret Bonds]]></category>
		<category><![CDATA[Merkin Concert Hall]]></category>
		<category><![CDATA[Mikael Darmanie]]></category>
		<category><![CDATA[Nnenna Ogwo]]></category>
		<category><![CDATA[Polonaise]]></category>
		<category><![CDATA[Samuel Coleridge-Taylor]]></category>
		<category><![CDATA[Special Music School]]></category>
		<category><![CDATA[Tabetha Johnson]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39350</guid>

					<description><![CDATA[<p>In the shadows of the behemoth Lincoln Center complex, located just of Broadway at 65th Street is a smaller musical resource known as the Elaine</p>
<p>The Post<a href="https://routes-mag.com/the-pianists-played-to-an-appreciative-audience/">African-American Pianists at the Gateways Music Festival</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>Imani Winds perform at Abyssinian Baptist Church</title>
		<link>https://routes-mag.com/imani-winds-seamless-partnership/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=imani-winds-seamless-partnership</link>
					<comments>https://routes-mag.com/imani-winds-seamless-partnership/#respond</comments>
		
		<dc:creator><![CDATA[Yvette Berry]]></dc:creator>
		<pubDate>Mon, 25 Apr 2022 14:14:22 +0000</pubDate>
				<category><![CDATA[Classical]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Abyssinian Baptist Church]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[Afro-Cuban Concerto]]></category>
		<category><![CDATA[bassoon]]></category>
		<category><![CDATA[Brandon Patrick George]]></category>
		<category><![CDATA[Cane]]></category>
		<category><![CDATA[clarinet]]></category>
		<category><![CDATA[clarinetist]]></category>
		<category><![CDATA[Cub]]></category>
		<category><![CDATA[Dmitri Shostakovich]]></category>
		<category><![CDATA[flute]]></category>
		<category><![CDATA[French hor]]></category>
		<category><![CDATA[Gateways Music Festival]]></category>
		<category><![CDATA[Grammy award]]></category>
		<category><![CDATA[Grammys]]></category>
		<category><![CDATA[Harlem]]></category>
		<category><![CDATA[Imani Winds]]></category>
		<category><![CDATA[Kevin Newton]]></category>
		<category><![CDATA[Mark Dover]]></category>
		<category><![CDATA[Monica Ellis]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[oboe]]></category>
		<category><![CDATA[Paquito D’Rivera]]></category>
		<category><![CDATA[Rochester]]></category>
		<category><![CDATA[saxophonist]]></category>
		<category><![CDATA[Toyin Spellman-Diaz]]></category>
		<category><![CDATA[Valerie Coleman]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39252</guid>

					<description><![CDATA[<p>The Gateways Music Festival’s first performance in New York City, after its tour in Rochester, began with the Grammy Award nominated Imani Winds at the historic Abyssinian</p>
<p>The Post<a href="https://routes-mag.com/imani-winds-seamless-partnership/">Imani Winds perform at Abyssinian Baptist Church</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>Stepping into the Future with Trumpeter Theo Crocker</title>
		<link>https://routes-mag.com/stepping-into-the-future-with-trumpeter-theo-crocker/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=stepping-into-the-future-with-trumpeter-theo-crocker</link>
					<comments>https://routes-mag.com/stepping-into-the-future-with-trumpeter-theo-crocker/#respond</comments>
		
		<dc:creator><![CDATA[Yvette Berry]]></dc:creator>
		<pubDate>Fri, 08 Apr 2022 11:49:30 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[African-American Culture]]></category>
		<category><![CDATA[African-American musicians]]></category>
		<category><![CDATA[Afro Cosmic]]></category>
		<category><![CDATA[AfroFuturism]]></category>
		<category><![CDATA[baby boomer]]></category>
		<category><![CDATA[Bill Saxton]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Charles Lloyd]]></category>
		<category><![CDATA[Chris Botti]]></category>
		<category><![CDATA[Cosmic Jazz]]></category>
		<category><![CDATA[Dizzy Gillespie]]></category>
		<category><![CDATA[Doc Cheatham]]></category>
		<category><![CDATA[Duke Ellington]]></category>
		<category><![CDATA[Gen X]]></category>
		<category><![CDATA[Grammy]]></category>
		<category><![CDATA[Herbie Hancock]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Jazz Fusion]]></category>
		<category><![CDATA[John Coltrane]]></category>
		<category><![CDATA[Miles Davis]]></category>
		<category><![CDATA[millennials]]></category>
		<category><![CDATA[Sun Ra. Sun Ra Arkestra]]></category>
		<category><![CDATA[Theo Crocker]]></category>
		<category><![CDATA[Zankel Hall]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=38958</guid>

					<description><![CDATA[<p>For the first time since the pandemic, on Saturday, March 26th at the Judy and Arthur Zankel Hall, Carnegie Hall, I stepped from confinement to</p>
<p>The Post<a href="https://routes-mag.com/stepping-into-the-future-with-trumpeter-theo-crocker/">Stepping into the Future with Trumpeter Theo Crocker</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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