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	<title>Classical | ROUTES</title>
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	<description>A Guide to African-American Culture</description>
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		<title>February 25: Paul Robeson</title>
		<link>https://routes-mag.com/february-25-paul-robeson/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=february-25-paul-robeson</link>
					<comments>https://routes-mag.com/february-25-paul-robeson/#comments</comments>
		
		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Tue, 25 Feb 2025 14:42:00 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Black History Month]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Theatre]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=46467</guid>

					<description><![CDATA[<p>Cultural Icon and Activist A Daily Journey Through Black History Month Story Paul Robeson was a true Renaissance man whose multifaceted talents and deep commitment</p>
<p>The Post<a href="https://routes-mag.com/february-25-paul-robeson/">February 25: Paul Robeson</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>February 23: Marian Anderson</title>
		<link>https://routes-mag.com/marian-anderson-new/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=marian-anderson-new</link>
					<comments>https://routes-mag.com/marian-anderson-new/#respond</comments>
		
		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Sun, 23 Feb 2025 10:58:56 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Black History Month]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[#AmericanHistory]]></category>
		<category><![CDATA[#BlackExcellence]]></category>
		<category><![CDATA[#BlackHistory]]></category>
		<category><![CDATA[#BreakingBarriers]]></category>
		<category><![CDATA[#CivilRights]]></category>
		<category><![CDATA[#ClassicalMusic]]></category>
		<category><![CDATA[#Contralto]]></category>
		<category><![CDATA[#CulturalIcon]]></category>
		<category><![CDATA[#EleanorRoosevelt]]></category>
		<category><![CDATA[#InspirationalWomen]]></category>
		<category><![CDATA[#Legacy]]></category>
		<category><![CDATA[#LincolnMemorial]]></category>
		<category><![CDATA[#MarianAnderson]]></category>
		<category><![CDATA[#MetOpera]]></category>
		<category><![CDATA[#MusicHistory]]></category>
		<category><![CDATA[#NAACP]]></category>
		<category><![CDATA[#OperaLegend]]></category>
		<category><![CDATA[#PresidentialMedalOfFreedom]]></category>
		<category><![CDATA[#RacialJustice]]></category>
		<category><![CDATA[#Trailblazer]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=46440</guid>

					<description><![CDATA[<p>A Daily Journey Through Black History Month The Voice of the Movement Story Marian Anderson, a world-renowned contralto, was a trailblazer who shattered racial barriers</p>
<p>The Post<a href="https://routes-mag.com/marian-anderson-new/">February 23: Marian Anderson</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<item>
		<title>Part 3. – Miles Davis and the Evolution of Jazz Fusion from Classical Roots</title>
		<link>https://routes-mag.com/miles-davis-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=miles-davis-2</link>
					<comments>https://routes-mag.com/miles-davis-2/#respond</comments>
		
		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Fri, 17 Jan 2025 14:23:11 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Jazz Fusion]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[#GuntherSchuller]]></category>
		<category><![CDATA[#Jazz #ClassicalMusic]]></category>
		<category><![CDATA[#JazzFusion]]></category>
		<category><![CDATA[#JohnLewis]]></category>
		<category><![CDATA[#MilesDavis]]></category>
		<category><![CDATA[#ModernJazzQuartet]]></category>
		<category><![CDATA[#MusicHistory]]></category>
		<category><![CDATA[#MusicInnovation]]></category>
		<category><![CDATA[#ThirdStream]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=46066</guid>

					<description><![CDATA[<p>Jazz has always been a dynamic art form, evolving and reshaping itself with each passing decade. Among the countless innovators who redefined the genre, Miles</p>
<p>The Post<a href="https://routes-mag.com/miles-davis-2/">Part 3. – Miles Davis and the Evolution of Jazz Fusion from Classical Roots</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>Part 2. &#8212; How the Modern Jazz Quartet Blended Jazz and Classical Music to Create Something Timeless</title>
		<link>https://routes-mag.com/how-the-modern-jazz-quartet-blended-jazz-and-classical-music-to-create-something-timeless/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-the-modern-jazz-quartet-blended-jazz-and-classical-music-to-create-something-timeless</link>
					<comments>https://routes-mag.com/how-the-modern-jazz-quartet-blended-jazz-and-classical-music-to-create-something-timeless/#respond</comments>
		
		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Wed, 15 Jan 2025 17:11:42 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[#GuntherSchuller]]></category>
		<category><![CDATA[#Jazz #ClassicalMusic]]></category>
		<category><![CDATA[#JazzFusion]]></category>
		<category><![CDATA[#JohnLewis]]></category>
		<category><![CDATA[#MilesDavis]]></category>
		<category><![CDATA[#ModernJazzQuartet]]></category>
		<category><![CDATA[#MusicHistory]]></category>
		<category><![CDATA[#MusicInnovation]]></category>
		<category><![CDATA[#ThirdStream]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=46061</guid>

					<description><![CDATA[<p>Let’s face it — when most people think of jazz, they picture smoky clubs, wild improvisation, and the kind of energy that feels almost chaotic.</p>
<p>The Post<a href="https://routes-mag.com/how-the-modern-jazz-quartet-blended-jazz-and-classical-music-to-create-something-timeless/">Part 2. — How the Modern Jazz Quartet Blended Jazz and Classical Music to Create Something Timeless</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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			</item>
		<item>
		<title>Introducing the Series: Jazz at the Crossroads of Innovation</title>
		<link>https://routes-mag.com/jazz-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jazz-2</link>
					<comments>https://routes-mag.com/jazz-2/#respond</comments>
		
		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Mon, 13 Jan 2025 12:46:19 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Jazz Fusion]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[#FusionMusic]]></category>
		<category><![CDATA[#GuntherSchuller]]></category>
		<category><![CDATA[#JazzAndClassical]]></category>
		<category><![CDATA[#JazzHistory]]></category>
		<category><![CDATA[#MilesDavis]]></category>
		<category><![CDATA[#ModernJazzQuartet]]></category>
		<category><![CDATA[#MusicInnovation]]></category>
		<category><![CDATA[#ThirdStream]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=46100</guid>

					<description><![CDATA[<p>Jazz has never been a static art form. From its roots in New Orleans to the electric experimentation of the 1970s, it has thrived on</p>
<p>The Post<a href="https://routes-mag.com/jazz-2/">Introducing the Series: Jazz at the Crossroads of Innovation</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>Natalie Lewis performing at the Bayerische Staatsoper</title>
		<link>https://routes-mag.com/natalie-lewis-performing-at-the-bayerische-staatsoper/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=natalie-lewis-performing-at-the-bayerische-staatsoper</link>
					<comments>https://routes-mag.com/natalie-lewis-performing-at-the-bayerische-staatsoper/#respond</comments>
		
		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Thu, 14 Nov 2024 10:23:56 +0000</pubDate>
				<category><![CDATA[Classical]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[#BayerischeStaatsoper]]></category>
		<category><![CDATA[#ClassicalMusic]]></category>
		<category><![CDATA[#CulturalEvent]]></category>
		<category><![CDATA[#LivePerformance]]></category>
		<category><![CDATA[#MunichOpera]]></category>
		<category><![CDATA[#NatalieLewis]]></category>
		<category><![CDATA[#OperaHouse]]></category>
		<category><![CDATA[#OperaPerformance]]></category>
		<category><![CDATA[#OperaSinger]]></category>
		<category><![CDATA[#VocalPerformance.]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=45306</guid>

					<description><![CDATA[<p>Last evening, I was pleasantly surprised to see Natalie Lewis, mezzo-soprano perform in the role of Alisa in Gaetano Donizetti&#8217;s Lucia di Lammermoor at the</p>
<p>The Post<a href="https://routes-mag.com/natalie-lewis-performing-at-the-bayerische-staatsoper/">Natalie Lewis performing at the Bayerische Staatsoper</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>Celebrating Jessye Norman: A Luminary in Opera</title>
		<link>https://routes-mag.com/jessye-norman/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jessye-norman</link>
					<comments>https://routes-mag.com/jessye-norman/#respond</comments>
		
		<dc:creator><![CDATA[Robert Toomer, Jr.]]></dc:creator>
		<pubDate>Sun, 15 Sep 2024 16:37:41 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Music]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=44470</guid>

					<description><![CDATA[<p>Today, we celebrate the birthday of Jessye Norman, an extraordinary American opera singer and recitalist whose commanding presence and exceptional vocal talent captivated audiences around</p>
<p>The Post<a href="https://routes-mag.com/jessye-norman/">Celebrating Jessye Norman: A Luminary in Opera</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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			</item>
		<item>
		<title>🎭 Honoring the Legacy of Shirley Verrett – A Trailblazing Opera Icon</title>
		<link>https://routes-mag.com/buon-compleanno-diva-shirley-verrett/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=buon-compleanno-diva-shirley-verrett</link>
					<comments>https://routes-mag.com/buon-compleanno-diva-shirley-verrett/#respond</comments>
		
		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Fri, 31 May 2024 13:53:52 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Birthday]]></category>
		<category><![CDATA[Classical]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=40539</guid>

					<description><![CDATA[<p>Shirley Verrett wasn’t just an opera singer – she was a force of nature, captivating audiences with a voice that soared across the world’s greatest</p>
<p>The Post<a href="https://routes-mag.com/buon-compleanno-diva-shirley-verrett/">🎭 Honoring the Legacy of Shirley Verrett – A Trailblazing Opera Icon</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>Julia Bullock Uploads History&#8217;s Persistent Voice</title>
		<link>https://routes-mag.com/julia-bullock-uploads-historys-persistent-voice/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=julia-bullock-uploads-historys-persistent-voice</link>
					<comments>https://routes-mag.com/julia-bullock-uploads-historys-persistent-voice/#respond</comments>
		
		<dc:creator><![CDATA[Jeff Oppenheim]]></dc:creator>
		<pubDate>Tue, 31 May 2022 14:16:16 +0000</pubDate>
				<category><![CDATA[Classical]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[Bryan Stevenson]]></category>
		<category><![CDATA[Christian Reif]]></category>
		<category><![CDATA[Civil Right movement]]></category>
		<category><![CDATA[civil rights]]></category>
		<category><![CDATA[classical singers]]></category>
		<category><![CDATA[conductor]]></category>
		<category><![CDATA[contemporary opera]]></category>
		<category><![CDATA[Equal Justice Initiative]]></category>
		<category><![CDATA[European]]></category>
		<category><![CDATA[History’s Persistent Voice]]></category>
		<category><![CDATA[human psyche]]></category>
		<category><![CDATA[Isar]]></category>
		<category><![CDATA[Josephine Baker]]></category>
		<category><![CDATA[Julia Bullock]]></category>
		<category><![CDATA[Mediation for Josephine]]></category>
		<category><![CDATA[Metropolitan Museum of Art]]></category>
		<category><![CDATA[Michel van der Aa]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[Park Avenue Armory]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[psychosomatic]]></category>
		<category><![CDATA[PTSD]]></category>
		<category><![CDATA[PTSS]]></category>
		<category><![CDATA[Roderick Williams]]></category>
		<category><![CDATA[San Francisco Symphony]]></category>
		<category><![CDATA[self identity]]></category>
		<category><![CDATA[The Rake’s Progress]]></category>
		<category><![CDATA[trauma]]></category>
		<category><![CDATA[Upload]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39689</guid>

					<description><![CDATA[<p>The recent premiere of the new contemporary opera “Upload,” by ​​Michel van der Aa at the Park Avenue Armory confronted the audience with the idea</p>
<p>The Post<a href="https://routes-mag.com/julia-bullock-uploads-historys-persistent-voice/">Julia Bullock Uploads History’s Persistent Voice</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>The Gateways Music Festival Triumph and A. D. Lee Koonce</title>
		<link>https://routes-mag.com/gateways-triumphant-artistic-director-lee-koonce/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gateways-triumphant-artistic-director-lee-koonce</link>
					<comments>https://routes-mag.com/gateways-triumphant-artistic-director-lee-koonce/#respond</comments>
		
		<dc:creator><![CDATA[Jeff Oppenheim]]></dc:creator>
		<pubDate>Thu, 12 May 2022 12:55:50 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Festival]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[92nd Street Y]]></category>
		<category><![CDATA[Abyssinian Baptist Church]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[African-American symphony orchestra]]></category>
		<category><![CDATA[Anthony Parnther]]></category>
		<category><![CDATA[Armenta Adams (Hummings) Dumisani]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[California]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Clive Gillinson]]></category>
		<category><![CDATA[conductors]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Eastman School of Music]]></category>
		<category><![CDATA[Gateways Brass Collective]]></category>
		<category><![CDATA[Gateways Music Festival]]></category>
		<category><![CDATA[Harlem Chamber Players]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Johnson Brothers]]></category>
		<category><![CDATA[Lee Koonce]]></category>
		<category><![CDATA[Lift Every Voice]]></category>
		<category><![CDATA[Merkin Concert Hall]]></category>
		<category><![CDATA[Metropolitan Museum of Art]]></category>
		<category><![CDATA[Michael Borge]]></category>
		<category><![CDATA[musicians]]></category>
		<category><![CDATA[Negro National Anthem]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[San Bernardino Symphony]]></category>
		<category><![CDATA[Schomburg Center for Research in Black Culture]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39437</guid>

					<description><![CDATA[<p>During the month of April, the Gateways Music Festival presented a series of concerts at venues throughout Manhattan. ROUTES followed the festival sending several of</p>
<p>The Post<a href="https://routes-mag.com/gateways-triumphant-artistic-director-lee-koonce/">The Gateways Music Festival Triumph and A. D. Lee Koonce</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>The Gateways Orchestra Brought Decades of Struggle to a Peak</title>
		<link>https://routes-mag.com/the-gateways-orchestra-brought-decades-of-struggle-to-a-peak/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-gateways-orchestra-brought-decades-of-struggle-to-a-peak</link>
					<comments>https://routes-mag.com/the-gateways-orchestra-brought-decades-of-struggle-to-a-peak/#comments</comments>
		
		<dc:creator><![CDATA[Yvette Berry]]></dc:creator>
		<pubDate>Mon, 09 May 2022 14:50:27 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Festival]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[African-American composers]]></category>
		<category><![CDATA[Anthony Parnther]]></category>
		<category><![CDATA[bandleader]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Clive Gillinson]]></category>
		<category><![CDATA[Cooper Union]]></category>
		<category><![CDATA[Dr. Cory Hunter]]></category>
		<category><![CDATA[Fantasia]]></category>
		<category><![CDATA[Florence Price]]></category>
		<category><![CDATA[George Walker]]></category>
		<category><![CDATA[Grammy]]></category>
		<category><![CDATA[Haydn]]></category>
		<category><![CDATA[Isaac Stern]]></category>
		<category><![CDATA[James V. Cockerham]]></category>
		<category><![CDATA[Johannes Brahms]]></category>
		<category><![CDATA[Jon Batiste]]></category>
		<category><![CDATA[Late Show with Steven Colbert]]></category>
		<category><![CDATA[Lee Koonce]]></category>
		<category><![CDATA[Lift Every Voice and Sing]]></category>
		<category><![CDATA[Negro National Anthem]]></category>
		<category><![CDATA[piano music]]></category>
		<category><![CDATA[The Caged Bird]]></category>
		<category><![CDATA[The Gateways Orchestra]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39421</guid>

					<description><![CDATA[<p>On a sunny clear day in April, my managing editor and I met up in the lobby of Carnegie Hall. We were there not just</p>
<p>The Post<a href="https://routes-mag.com/the-gateways-orchestra-brought-decades-of-struggle-to-a-peak/">The Gateways Orchestra Brought Decades of Struggle to a Peak</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>African-American Pianists at the Gateways Music Festival</title>
		<link>https://routes-mag.com/the-pianists-played-to-an-appreciative-audience/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-pianists-played-to-an-appreciative-audience</link>
					<comments>https://routes-mag.com/the-pianists-played-to-an-appreciative-audience/#respond</comments>
		
		<dc:creator><![CDATA[Yvette Berry]]></dc:creator>
		<pubDate>Wed, 27 Apr 2022 18:31:31 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[African-American composers]]></category>
		<category><![CDATA[Afro-Cuban Concerto]]></category>
		<category><![CDATA[Aldo Lopez Gavilan]]></category>
		<category><![CDATA[Artina McCain]]></category>
		<category><![CDATA[Atlanta Symphony]]></category>
		<category><![CDATA[Black and Tan Fantasy]]></category>
		<category><![CDATA[Brian Rafael Nabor]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Cincinnati Symphony Orchestra]]></category>
		<category><![CDATA[Classic music]]></category>
		<category><![CDATA[Cuban]]></category>
		<category><![CDATA[Duke Ellington]]></category>
		<category><![CDATA[Elain Kaufman Cultural Center]]></category>
		<category><![CDATA[England]]></category>
		<category><![CDATA[Frederic Chopin]]></category>
		<category><![CDATA[Gateways Music Festival]]></category>
		<category><![CDATA[gospel]]></category>
		<category><![CDATA[Joseph Joubert]]></category>
		<category><![CDATA[Joseph Williams]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Lincoln Center]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Manhattan School of Music]]></category>
		<category><![CDATA[Margaret Bonds]]></category>
		<category><![CDATA[Merkin Concert Hall]]></category>
		<category><![CDATA[Mikael Darmanie]]></category>
		<category><![CDATA[Nnenna Ogwo]]></category>
		<category><![CDATA[Polonaise]]></category>
		<category><![CDATA[Samuel Coleridge-Taylor]]></category>
		<category><![CDATA[Special Music School]]></category>
		<category><![CDATA[Tabetha Johnson]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39350</guid>

					<description><![CDATA[<p>In the shadows of the behemoth Lincoln Center complex, located just of Broadway at 65th Street is a smaller musical resource known as the Elaine</p>
<p>The Post<a href="https://routes-mag.com/the-pianists-played-to-an-appreciative-audience/">African-American Pianists at the Gateways Music Festival</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>Gateways Music Festival: A Feast for the Ears and the Eyes</title>
		<link>https://routes-mag.com/gateways-music-festival-a-feast-for-the-ears-and-the-eyes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gateways-music-festival-a-feast-for-the-ears-and-the-eyes</link>
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		<dc:creator><![CDATA[Ellen Levitt]]></dc:creator>
		<pubDate>Tue, 26 Apr 2022 19:31:49 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[brass quintet]]></category>
		<category><![CDATA[Brian Raphael Nabors]]></category>
		<category><![CDATA[Chamber Music]]></category>
		<category><![CDATA[Classical music]]></category>
		<category><![CDATA[Classical Musicians of African Descent]]></category>
		<category><![CDATA[Cooper Union]]></category>
		<category><![CDATA[David Berry]]></category>
		<category><![CDATA[Dizzy Gillespie]]></category>
		<category><![CDATA[Eastman School of Music]]></category>
		<category><![CDATA[Florence B. Price]]></category>
		<category><![CDATA[Gateways Brass Collective]]></category>
		<category><![CDATA[Gateways Festival]]></category>
		<category><![CDATA[Gateways Music Festival]]></category>
		<category><![CDATA[Joseph Williams]]></category>
		<category><![CDATA[Joshua Henderson]]></category>
		<category><![CDATA[Kelly Hall-Tompkins]]></category>
		<category><![CDATA[Marian Anderson String Quartet]]></category>
		<category><![CDATA[Professor Cory Hunter]]></category>
		<category><![CDATA[Sakura Myers]]></category>
		<category><![CDATA[string quartet]]></category>
		<category><![CDATA[The Caged Bird]]></category>
		<category><![CDATA[The Gateways Orchestra]]></category>
		<category><![CDATA[Titus Underwood]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39270</guid>

					<description><![CDATA[<p>&#8220;Hats Off&#8221; to the Gateways Festival for a rather enjoyable and enlightening Saturday, April 23rd, in the East Village of Manhattan. First the agenda was</p>
<p>The Post<a href="https://routes-mag.com/gateways-music-festival-a-feast-for-the-ears-and-the-eyes/">Gateways Music Festival: A Feast for the Ears and the Eyes</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>Imani Winds perform at Abyssinian Baptist Church</title>
		<link>https://routes-mag.com/imani-winds-seamless-partnership/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=imani-winds-seamless-partnership</link>
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		<dc:creator><![CDATA[Yvette Berry]]></dc:creator>
		<pubDate>Mon, 25 Apr 2022 14:14:22 +0000</pubDate>
				<category><![CDATA[Classical]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Abyssinian Baptist Church]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[Afro-Cuban Concerto]]></category>
		<category><![CDATA[bassoon]]></category>
		<category><![CDATA[Brandon Patrick George]]></category>
		<category><![CDATA[Cane]]></category>
		<category><![CDATA[clarinet]]></category>
		<category><![CDATA[clarinetist]]></category>
		<category><![CDATA[Cub]]></category>
		<category><![CDATA[Dmitri Shostakovich]]></category>
		<category><![CDATA[flute]]></category>
		<category><![CDATA[French hor]]></category>
		<category><![CDATA[Gateways Music Festival]]></category>
		<category><![CDATA[Grammy award]]></category>
		<category><![CDATA[Grammys]]></category>
		<category><![CDATA[Harlem]]></category>
		<category><![CDATA[Imani Winds]]></category>
		<category><![CDATA[Kevin Newton]]></category>
		<category><![CDATA[Mark Dover]]></category>
		<category><![CDATA[Monica Ellis]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[oboe]]></category>
		<category><![CDATA[Paquito D’Rivera]]></category>
		<category><![CDATA[Rochester]]></category>
		<category><![CDATA[saxophonist]]></category>
		<category><![CDATA[Toyin Spellman-Diaz]]></category>
		<category><![CDATA[Valerie Coleman]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39252</guid>

					<description><![CDATA[<p>The Gateways Music Festival’s first performance in New York City, after its tour in Rochester, began with the Grammy Award nominated Imani Winds at the historic Abyssinian</p>
<p>The Post<a href="https://routes-mag.com/imani-winds-seamless-partnership/">Imani Winds perform at Abyssinian Baptist Church</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>The Gateways Music Festival and the Marian Anderson String Quartet</title>
		<link>https://routes-mag.com/the-marian-string-quartet-music-festival/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-marian-string-quartet-music-festival</link>
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		<dc:creator><![CDATA[Joan Penn]]></dc:creator>
		<pubDate>Sun, 24 Apr 2022 23:15:03 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[92nd Street Y]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[African-American musicians]]></category>
		<category><![CDATA[Classical music]]></category>
		<category><![CDATA[Classical Musicians of African Descent]]></category>
		<category><![CDATA[David Wallace]]></category>
		<category><![CDATA[Diedra Lawrenc]]></category>
		<category><![CDATA[Follow the Drinking Gourd]]></category>
		<category><![CDATA[Gateways Music Festival]]></category>
		<category><![CDATA[James Weldon Johnson]]></category>
		<category><![CDATA[John Rosamond Johnson]]></category>
		<category><![CDATA[Jonathan McNair]]></category>
		<category><![CDATA[Let My People Go]]></category>
		<category><![CDATA[Lift Ev’ry Voice and Sing]]></category>
		<category><![CDATA[Marian Anderson String Quartet]]></category>
		<category><![CDATA[Marianne Henry]]></category>
		<category><![CDATA[Nicole Cherry]]></category>
		<category><![CDATA[On Being Enslaved]]></category>
		<category><![CDATA[Prudence McDaniel]]></category>
		<category><![CDATA[Rhiannon Giddens]]></category>
		<category><![CDATA[Samuel Adler]]></category>
		<category><![CDATA[Sometimes I Feel Like a Motherless Child]]></category>
		<category><![CDATA[The Jewish Y]]></category>
		<category><![CDATA[The Kronos Learning Repertoire]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39248</guid>

					<description><![CDATA[<p>On a Friday evening at the 92nd Street Y, the Marian Anderson String Quartet presented “On Being Enslaved,” a moving musical journey of healing and</p>
<p>The Post<a href="https://routes-mag.com/the-marian-string-quartet-music-festival/">The Gateways Music Festival and the Marian Anderson String Quartet</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>Gateways Music Festival and African-American Classical Music</title>
		<link>https://routes-mag.com/gateways-music-festival-and-african-american-classical-music/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gateways-music-festival-and-african-american-classical-music</link>
					<comments>https://routes-mag.com/gateways-music-festival-and-african-american-classical-music/#respond</comments>
		
		<dc:creator><![CDATA[Ellen Levitt]]></dc:creator>
		<pubDate>Sat, 23 Apr 2022 22:21:51 +0000</pubDate>
				<category><![CDATA[Classical]]></category>
		<category><![CDATA[Festival]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[92nd Street Y]]></category>
		<category><![CDATA[Abyssinian Baptist Church]]></category>
		<category><![CDATA[African-American Culture]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Chevalier de Saint-Georges]]></category>
		<category><![CDATA[Classical music]]></category>
		<category><![CDATA[Classical Musicians of African Descent]]></category>
		<category><![CDATA[Cooper Union]]></category>
		<category><![CDATA[Eastman School of Music]]></category>
		<category><![CDATA[Florence Price]]></category>
		<category><![CDATA[Gateways]]></category>
		<category><![CDATA[Gateways Music Festival]]></category>
		<category><![CDATA[George Walker]]></category>
		<category><![CDATA[Grammy award]]></category>
		<category><![CDATA[jazz music]]></category>
		<category><![CDATA[Jon Batiste]]></category>
		<category><![CDATA[Julius Eastman]]></category>
		<category><![CDATA[Merkin Hall at Kaufman Music Center]]></category>
		<category><![CDATA[Morgan Library]]></category>
		<category><![CDATA[Porgy and Bess]]></category>
		<category><![CDATA[Rochester]]></category>
		<category><![CDATA[Schomburg Center]]></category>
		<category><![CDATA[Schomburg Center for Research in Black Culture]]></category>
		<category><![CDATA[Stephen Colbert]]></category>
		<category><![CDATA[The Black Mozart]]></category>
		<category><![CDATA[The Gateways Orchestra]]></category>
		<category><![CDATA[The Metropolitan Museum of Art]]></category>
		<category><![CDATA[Undine Eliza Anna Smith Moore]]></category>
		<category><![CDATA[William Grant Still]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39227</guid>

					<description><![CDATA[<p>You can certainly &#8220;Take it to the Bank&#8221; if you asked the average person in the United States to name a classical music composer or</p>
<p>The Post<a href="https://routes-mag.com/gateways-music-festival-and-african-american-classical-music/">Gateways Music Festival and African-American Classical Music</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>ROUTES January 1978 Highlights Page</title>
		<link>https://routes-mag.com/routes-january-1978-highlights-page/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=routes-january-1978-highlights-page</link>
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		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Tue, 19 May 2020 07:40:56 +0000</pubDate>
				<category><![CDATA[Blues]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Music]]></category>
		<guid isPermaLink="false">http://routes-mag.com/?p=17860</guid>

					<description><![CDATA[<p>Here you’ll see a wonderful array of music videos of performers, the likes of Helen Humes &#8211; Alberta Hunter &#8211; Sonny Rollins &#8211; Rose Murphy</p>
<p>The Post<a href="https://routes-mag.com/routes-january-1978-highlights-page/">ROUTES January 1978 Highlights Page</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>“The Seven Last Words of the Unarmed”</title>
		<link>https://routes-mag.com/the-seven-last-words-of-the-unarmed/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-seven-last-words-of-the-unarmed</link>
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		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Tue, 10 May 2016 18:02:15 +0000</pubDate>
				<category><![CDATA[Archived Events]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Racism]]></category>
		<guid isPermaLink="false">http://routes-mag.com/?p=14444</guid>

					<description><![CDATA[<p>On Jan 19, 2016, The University of Michigan&#8217;s Male Glee Club sang Joel Thompson’s new choral work “The Seven Last Words of the Unarmed” —</p>
<p>The Post<a href="https://routes-mag.com/the-seven-last-words-of-the-unarmed/">“The Seven Last Words of the Unarmed”</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>&#8220;Stand Up Straight and Sing&#8221;</title>
		<link>https://routes-mag.com/jessye-norman-sings-carmen-seguidilla-pres-des-ramparts-de-seville/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jessye-norman-sings-carmen-seguidilla-pres-des-ramparts-de-seville</link>
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		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Wed, 29 Jul 2015 10:05:34 +0000</pubDate>
				<category><![CDATA[Classical]]></category>
		<category><![CDATA[Music]]></category>
		<guid isPermaLink="false">http://routes-mag.com/?p=6472</guid>

					<description><![CDATA[<p>Stand Up Straight and Sing! is an interview in the Chicago setting in which Ms. Norman talks about her strict upbringing. And now for the</p>
<p>The Post<a href="https://routes-mag.com/jessye-norman-sings-carmen-seguidilla-pres-des-ramparts-de-seville/">“Stand Up Straight and Sing”</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>André Watts</title>
		<link>https://routes-mag.com/andre-watts-chopin-etude-op-25-no-1-revolutionary-etude/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=andre-watts-chopin-etude-op-25-no-1-revolutionary-etude</link>
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		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Tue, 16 Jun 2015 10:10:37 +0000</pubDate>
				<category><![CDATA[Classical]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[ROUTES' Roots]]></category>
		<guid isPermaLink="false">http://routes-mag.com/?p=5188</guid>

					<description><![CDATA[<p>André Watts gives a brief interview at the end of the concert.</p>
<p>The Post<a href="https://routes-mag.com/andre-watts-chopin-etude-op-25-no-1-revolutionary-etude/">André Watts</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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		<title>Pianist George Francois</title>
		<link>https://routes-mag.com/an-evening-of-classical-music-with-pianist-george-francois-beethovens-concert-space/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=an-evening-of-classical-music-with-pianist-george-francois-beethovens-concert-space</link>
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		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Mon, 08 Jun 2015 20:40:52 +0000</pubDate>
				<category><![CDATA[Archived Events]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Music]]></category>
		<guid isPermaLink="false">http://routes-mag.com/?p=4986</guid>

					<description><![CDATA[<p>June 26, 2015, 7pm Doors Open at 6:30 PM The Concert Space at Beethoven&#8217;s Piano 211 W.58th Street Manhattan (212)390-8019 Ghanaian pianist George Francois started playing</p>
<p>The Post<a href="https://routes-mag.com/an-evening-of-classical-music-with-pianist-george-francois-beethovens-concert-space/">Pianist George Francois</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
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