<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Africa | ROUTES</title>
	<atom:link href="https://routes-mag.com/tag/africa/feed/" rel="self" type="application/rss+xml" />
	<link>https://routes-mag.com</link>
	<description>A Guide to African-American Culture</description>
	<lastBuildDate>Wed, 15 Apr 2026 13:45:05 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0</generator>
	<item>
		<title>&#8220;Paradise Square&#8221; and New Perspectives on Tap Dance</title>
		<link>https://routes-mag.com/tapping-through-time-new-perspectives-on-tap-dance/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tapping-through-time-new-perspectives-on-tap-dance</link>
					<comments>https://routes-mag.com/tapping-through-time-new-perspectives-on-tap-dance/#comments</comments>
		
		<dc:creator><![CDATA[Sandhi Smalls Santini]]></dc:creator>
		<pubDate>Fri, 15 Apr 2022 19:47:28 +0000</pubDate>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[Afro-Irish fusion]]></category>
		<category><![CDATA[Anna Deavere Smith]]></category>
		<category><![CDATA[Bill “Bojangles” Robinson]]></category>
		<category><![CDATA[Bill T. Jones]]></category>
		<category><![CDATA[Black and Blue]]></category>
		<category><![CDATA[Bojangles]]></category>
		<category><![CDATA[Bring In Da Funk]]></category>
		<category><![CDATA[Bring In Da Noise]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Broadway Dance Center]]></category>
		<category><![CDATA[Cab Calloway]]></category>
		<category><![CDATA[Charles “Honi” Coles]]></category>
		<category><![CDATA[clog dancing]]></category>
		<category><![CDATA[Count Basie]]></category>
		<category><![CDATA[Daniel B. Wooten]]></category>
		<category><![CDATA[Draft Riots]]></category>
		<category><![CDATA[Duke Ellington]]></category>
		<category><![CDATA[Far Rockaway]]></category>
		<category><![CDATA[Five Points]]></category>
		<category><![CDATA[Garth H. Drabinsky]]></category>
		<category><![CDATA[Gregory Hine]]></category>
		<category><![CDATA[Hines Brothers]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Irish jigs]]></category>
		<category><![CDATA[jazz aficionado]]></category>
		<category><![CDATA[Jet Magazine]]></category>
		<category><![CDATA[jig and juba]]></category>
		<category><![CDATA[Jr]]></category>
		<category><![CDATA[Juba]]></category>
		<category><![CDATA[Liberia]]></category>
		<category><![CDATA[Mardi Gras]]></category>
		<category><![CDATA[Master Juba]]></category>
		<category><![CDATA[Michela Marino Lerman]]></category>
		<category><![CDATA[Minskoff Theatre]]></category>
		<category><![CDATA[Negro Actors Guild of America]]></category>
		<category><![CDATA[Nicholas Brothers]]></category>
		<category><![CDATA[Omar Edwards]]></category>
		<category><![CDATA[Once Upon A Time Called Now]]></category>
		<category><![CDATA[Paradise Square]]></category>
		<category><![CDATA[Savion Glover]]></category>
		<category><![CDATA[Sesame Street]]></category>
		<category><![CDATA[Shirley Temple]]></category>
		<category><![CDATA[The Copasetics]]></category>
		<category><![CDATA[The Pink Panther]]></category>
		<category><![CDATA[Tony-winning]]></category>
		<category><![CDATA[Vaudeville]]></category>
		<category><![CDATA[White minstrel]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39064</guid>

					<description><![CDATA[<p>At a recent Routes editorial meeting, there was a deep and somewhat heated conversation about the new musical on Broadway called &#8220;Paradise Square.&#8221; Produced by</p>
<p>The Post<a href="https://routes-mag.com/tapping-through-time-new-perspectives-on-tap-dance/">“Paradise Square” and New Perspectives on Tap Dance</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/tapping-through-time-new-perspectives-on-tap-dance/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
			</item>
		<item>
		<title>&#8220;AfroFuturism&#8221;: Fact, Fiction or Fantasy Panel Discussion</title>
		<link>https://routes-mag.com/afrofuturism-fact-fiction-or-fantasy-panel-discussion/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=afrofuturism-fact-fiction-or-fantasy-panel-discussion</link>
					<comments>https://routes-mag.com/afrofuturism-fact-fiction-or-fantasy-panel-discussion/#respond</comments>
		
		<dc:creator><![CDATA[Perri Gaffney Ellen Levitt]]></dc:creator>
		<pubDate>Tue, 22 Mar 2022 00:24:53 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Discussion]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[African-American Culture]]></category>
		<category><![CDATA[African-American History]]></category>
		<category><![CDATA[AfroFuturism]]></category>
		<category><![CDATA[AfroFuturism Festival]]></category>
		<category><![CDATA[Alice Coltrane]]></category>
		<category><![CDATA[Black cultural lens]]></category>
		<category><![CDATA[Black Culture]]></category>
		<category><![CDATA[Black Panther]]></category>
		<category><![CDATA[Black to the Future]]></category>
		<category><![CDATA[Bootsy Collins]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Clive Gillinson]]></category>
		<category><![CDATA[Damion Kareem Scott]]></category>
		<category><![CDATA[Ellen Levitt]]></category>
		<category><![CDATA[Fadl Al-Umari]]></category>
		<category><![CDATA[George Clinton]]></category>
		<category><![CDATA[Mali]]></category>
		<category><![CDATA[Mansa Abubakari]]></category>
		<category><![CDATA[Mark Dery]]></category>
		<category><![CDATA[Metropolitan Museum of Ar]]></category>
		<category><![CDATA[Octavia E. Butler]]></category>
		<category><![CDATA[Patti LaBelle]]></category>
		<category><![CDATA[Reynaldo Anderson]]></category>
		<category><![CDATA[Routes Channel]]></category>
		<category><![CDATA[Ryan Coogler]]></category>
		<category><![CDATA[Sandhi Smalls-Santini]]></category>
		<category><![CDATA[Sun Ra]]></category>
		<category><![CDATA[the Bluebells]]></category>
		<category><![CDATA[Thor Heyerdahl]]></category>
		<category><![CDATA[Timbuktu]]></category>
		<category><![CDATA[YouTube]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=38485</guid>

					<description><![CDATA[<p>Word Up! Words and expressions can have a heyday. They can be buzzworthy. Extra popular. Used frequently and with special emphasis. In recent years, but</p>
<p>The Post<a href="https://routes-mag.com/afrofuturism-fact-fiction-or-fantasy-panel-discussion/">“AfroFuturism”: Fact, Fiction or Fantasy Panel Discussion</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/afrofuturism-fact-fiction-or-fantasy-panel-discussion/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>AfroFuturism: Chimurenga Renaissance and Fatoumata Diawara</title>
		<link>https://routes-mag.com/chimurenga-renaissance-and-fatoumata-diawara/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=chimurenga-renaissance-and-fatoumata-diawara</link>
					<comments>https://routes-mag.com/chimurenga-renaissance-and-fatoumata-diawara/#comments</comments>
		
		<dc:creator><![CDATA[Jeff Oppenheim]]></dc:creator>
		<pubDate>Fri, 18 Mar 2022 14:47:55 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[African music]]></category>
		<category><![CDATA[African Queen]]></category>
		<category><![CDATA[AfroFuturism]]></category>
		<category><![CDATA[Angola]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Chimurenga Renaissance]]></category>
		<category><![CDATA[Fatoumata Diawara]]></category>
		<category><![CDATA[Fela Kuti]]></category>
		<category><![CDATA[Hussein Kalonji]]></category>
		<category><![CDATA[Jimi Hendrix]]></category>
		<category><![CDATA[Kuduro]]></category>
		<category><![CDATA[Mali]]></category>
		<category><![CDATA[MBOMBO]]></category>
		<category><![CDATA[Mother Africa]]></category>
		<category><![CDATA[National Public Radio]]></category>
		<category><![CDATA[Nina Simone]]></category>
		<category><![CDATA[Tendai 'Baba' Maraire]]></category>
		<category><![CDATA[Vernon Reid]]></category>
		<category><![CDATA[Zankel Hall]]></category>
		<category><![CDATA[zimbabwe]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=38612</guid>

					<description><![CDATA[<p>Review AfroFuturism Concert at Carnegie Hall‘s Zankel Hall There is renewed excitement returning to live events. Each opportunity offering us a chance to rekindle our</p>
<p>The Post<a href="https://routes-mag.com/chimurenga-renaissance-and-fatoumata-diawara/">AfroFuturism: Chimurenga Renaissance and Fatoumata Diawara</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/chimurenga-renaissance-and-fatoumata-diawara/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
			</item>
		<item>
		<title>Nzinga, Ancient Ruler of present-day Angola</title>
		<link>https://routes-mag.com/queen-mother-and-fierce-queen-warrior/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=queen-mother-and-fierce-queen-warrior</link>
					<comments>https://routes-mag.com/queen-mother-and-fierce-queen-warrior/#respond</comments>
		
		<dc:creator><![CDATA[Perri Gaffney]]></dc:creator>
		<pubDate>Fri, 04 Mar 2022 13:53:26 +0000</pubDate>
				<category><![CDATA[Women's History Month]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[African]]></category>
		<category><![CDATA[African-American Culture]]></category>
		<category><![CDATA[African-American History]]></category>
		<category><![CDATA[BlackLivesMatters]]></category>
		<category><![CDATA[Coreon Du]]></category>
		<category><![CDATA[Nzinga]]></category>
		<category><![CDATA[Queen Mother]]></category>
		<category><![CDATA[Slavery]]></category>
		<category><![CDATA[Women’s History Month]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=38372</guid>

					<description><![CDATA[<p>Nzinga was born about 1582 to King Ngola Kiluanji Kia Samba, ruler of what is modern day Angola. As children, Nzinga and her brother, Mbandi,</p>
<p>The Post<a href="https://routes-mag.com/queen-mother-and-fierce-queen-warrior/">Nzinga, Ancient Ruler of present-day Angola</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/queen-mother-and-fierce-queen-warrior/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>AfroFuturism and Transgenerational Trauma from Slavery Past</title>
		<link>https://routes-mag.com/afrofuturism-and-transgenerational-trauma/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=afrofuturism-and-transgenerational-trauma</link>
					<comments>https://routes-mag.com/afrofuturism-and-transgenerational-trauma/#respond</comments>
		
		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Tue, 01 Mar 2022 10:26:11 +0000</pubDate>
				<category><![CDATA[Publisher's Page]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[African]]></category>
		<category><![CDATA[African American Art]]></category>
		<category><![CDATA[African-American Culture]]></category>
		<category><![CDATA[African-American History]]></category>
		<category><![CDATA[AfroFuturism]]></category>
		<category><![CDATA[Black Culture]]></category>
		<category><![CDATA[Black Panther]]></category>
		<category><![CDATA[BlackLivesMatters]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Hartmut Geerken]]></category>
		<category><![CDATA[Jazzinstitut Darmstadt]]></category>
		<category><![CDATA[PTSD]]></category>
		<category><![CDATA[PTSS]]></category>
		<category><![CDATA[Queen Mother]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Slavery]]></category>
		<category><![CDATA[Slavery syndrome]]></category>
		<category><![CDATA[Sun Ra]]></category>
		<category><![CDATA[Sun Ra Arkestra]]></category>
		<category><![CDATA[The Metropolitan Museum of Art]]></category>
		<category><![CDATA[Transgenerational Trauma]]></category>
		<category><![CDATA[Women’s History Month]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=38187</guid>

					<description><![CDATA[<p>As we close out our February issue, I find myself reflecting on the topics our Routes&#8217; writers and photographers have shared. A recurring theme in</p>
<p>The Post<a href="https://routes-mag.com/afrofuturism-and-transgenerational-trauma/">AfroFuturism and Transgenerational Trauma from Slavery Past</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/afrofuturism-and-transgenerational-trauma/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Futurism or more specifically AfroFuturism?</title>
		<link>https://routes-mag.com/futurism-or-more-specifically-afrofuturism/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=futurism-or-more-specifically-afrofuturism</link>
					<comments>https://routes-mag.com/futurism-or-more-specifically-afrofuturism/#respond</comments>
		
		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Sat, 12 Feb 2022 00:52:28 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Publisher's Page]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[AfroFuturism]]></category>
		<category><![CDATA[Canary Islands]]></category>
		<category><![CDATA[Futurism]]></category>
		<category><![CDATA[ronnbunn]]></category>
		<category><![CDATA[routes-mag]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=37684</guid>

					<description><![CDATA[<p>Finding a way forward As I&#8217;ve worked with the Routes&#8216; team to put the February edition together. I&#8217;ve found myself encountering a recurring theme &#8220;futurism&#8221;</p>
<p>The Post<a href="https://routes-mag.com/futurism-or-more-specifically-afrofuturism/">Futurism or more specifically AfroFuturism?</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/futurism-or-more-specifically-afrofuturism/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
	</channel>
</rss>
