<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Carnegie Hall | ROUTES</title>
	<atom:link href="https://routes-mag.com/tag/carnegie-hall/feed/" rel="self" type="application/rss+xml" />
	<link>https://routes-mag.com</link>
	<description>A Guide to African-American Culture</description>
	<lastBuildDate>Wed, 15 Apr 2026 13:45:05 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>
	<item>
		<title>The Gateways Music Festival Triumph and A. D. Lee Koonce</title>
		<link>https://routes-mag.com/gateways-triumphant-artistic-director-lee-koonce/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gateways-triumphant-artistic-director-lee-koonce</link>
					<comments>https://routes-mag.com/gateways-triumphant-artistic-director-lee-koonce/#respond</comments>
		
		<dc:creator><![CDATA[Jeff Oppenheim]]></dc:creator>
		<pubDate>Thu, 12 May 2022 12:55:50 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Festival]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[92nd Street Y]]></category>
		<category><![CDATA[Abyssinian Baptist Church]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[African-American symphony orchestra]]></category>
		<category><![CDATA[Anthony Parnther]]></category>
		<category><![CDATA[Armenta Adams (Hummings) Dumisani]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[California]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Clive Gillinson]]></category>
		<category><![CDATA[conductors]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Eastman School of Music]]></category>
		<category><![CDATA[Gateways Brass Collective]]></category>
		<category><![CDATA[Gateways Music Festival]]></category>
		<category><![CDATA[Harlem Chamber Players]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Johnson Brothers]]></category>
		<category><![CDATA[Lee Koonce]]></category>
		<category><![CDATA[Lift Every Voice]]></category>
		<category><![CDATA[Merkin Concert Hall]]></category>
		<category><![CDATA[Metropolitan Museum of Art]]></category>
		<category><![CDATA[Michael Borge]]></category>
		<category><![CDATA[musicians]]></category>
		<category><![CDATA[Negro National Anthem]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[San Bernardino Symphony]]></category>
		<category><![CDATA[Schomburg Center for Research in Black Culture]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39437</guid>

					<description><![CDATA[<p>During the month of April, the Gateways Music Festival presented a series of concerts at venues throughout Manhattan. ROUTES followed the festival sending several of</p>
<p>The Post<a href="https://routes-mag.com/gateways-triumphant-artistic-director-lee-koonce/">The Gateways Music Festival Triumph and A. D. Lee Koonce</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/gateways-triumphant-artistic-director-lee-koonce/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>The Gateways Orchestra Brought Decades of Struggle to a Peak</title>
		<link>https://routes-mag.com/the-gateways-orchestra-brought-decades-of-struggle-to-a-peak/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-gateways-orchestra-brought-decades-of-struggle-to-a-peak</link>
					<comments>https://routes-mag.com/the-gateways-orchestra-brought-decades-of-struggle-to-a-peak/#comments</comments>
		
		<dc:creator><![CDATA[Yvette Berry]]></dc:creator>
		<pubDate>Mon, 09 May 2022 14:50:27 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Festival]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[African-American composers]]></category>
		<category><![CDATA[Anthony Parnther]]></category>
		<category><![CDATA[bandleader]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Clive Gillinson]]></category>
		<category><![CDATA[Cooper Union]]></category>
		<category><![CDATA[Dr. Cory Hunter]]></category>
		<category><![CDATA[Fantasia]]></category>
		<category><![CDATA[Florence Price]]></category>
		<category><![CDATA[George Walker]]></category>
		<category><![CDATA[Grammy]]></category>
		<category><![CDATA[Haydn]]></category>
		<category><![CDATA[Isaac Stern]]></category>
		<category><![CDATA[James V. Cockerham]]></category>
		<category><![CDATA[Johannes Brahms]]></category>
		<category><![CDATA[Jon Batiste]]></category>
		<category><![CDATA[Late Show with Steven Colbert]]></category>
		<category><![CDATA[Lee Koonce]]></category>
		<category><![CDATA[Lift Every Voice and Sing]]></category>
		<category><![CDATA[Negro National Anthem]]></category>
		<category><![CDATA[piano music]]></category>
		<category><![CDATA[The Caged Bird]]></category>
		<category><![CDATA[The Gateways Orchestra]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39421</guid>

					<description><![CDATA[<p>On a sunny clear day in April, my managing editor and I met up in the lobby of Carnegie Hall. We were there not just</p>
<p>The Post<a href="https://routes-mag.com/the-gateways-orchestra-brought-decades-of-struggle-to-a-peak/">The Gateways Orchestra Brought Decades of Struggle to a Peak</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/the-gateways-orchestra-brought-decades-of-struggle-to-a-peak/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
			</item>
		<item>
		<title>Gateways Music Festival and African-American Classical Music</title>
		<link>https://routes-mag.com/gateways-music-festival-and-african-american-classical-music/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gateways-music-festival-and-african-american-classical-music</link>
					<comments>https://routes-mag.com/gateways-music-festival-and-african-american-classical-music/#respond</comments>
		
		<dc:creator><![CDATA[Ellen Levitt]]></dc:creator>
		<pubDate>Sat, 23 Apr 2022 22:21:51 +0000</pubDate>
				<category><![CDATA[Classical]]></category>
		<category><![CDATA[Festival]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[92nd Street Y]]></category>
		<category><![CDATA[Abyssinian Baptist Church]]></category>
		<category><![CDATA[African-American Culture]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Chevalier de Saint-Georges]]></category>
		<category><![CDATA[Classical music]]></category>
		<category><![CDATA[Classical Musicians of African Descent]]></category>
		<category><![CDATA[Cooper Union]]></category>
		<category><![CDATA[Eastman School of Music]]></category>
		<category><![CDATA[Florence Price]]></category>
		<category><![CDATA[Gateways]]></category>
		<category><![CDATA[Gateways Music Festival]]></category>
		<category><![CDATA[George Walker]]></category>
		<category><![CDATA[Grammy award]]></category>
		<category><![CDATA[jazz music]]></category>
		<category><![CDATA[Jon Batiste]]></category>
		<category><![CDATA[Julius Eastman]]></category>
		<category><![CDATA[Merkin Hall at Kaufman Music Center]]></category>
		<category><![CDATA[Morgan Library]]></category>
		<category><![CDATA[Porgy and Bess]]></category>
		<category><![CDATA[Rochester]]></category>
		<category><![CDATA[Schomburg Center]]></category>
		<category><![CDATA[Schomburg Center for Research in Black Culture]]></category>
		<category><![CDATA[Stephen Colbert]]></category>
		<category><![CDATA[The Black Mozart]]></category>
		<category><![CDATA[The Gateways Orchestra]]></category>
		<category><![CDATA[The Metropolitan Museum of Art]]></category>
		<category><![CDATA[Undine Eliza Anna Smith Moore]]></category>
		<category><![CDATA[William Grant Still]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=39227</guid>

					<description><![CDATA[<p>You can certainly &#8220;Take it to the Bank&#8221; if you asked the average person in the United States to name a classical music composer or</p>
<p>The Post<a href="https://routes-mag.com/gateways-music-festival-and-african-american-classical-music/">Gateways Music Festival and African-American Classical Music</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/gateways-music-festival-and-african-american-classical-music/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Stepping into the Future with Trumpeter Theo Crocker</title>
		<link>https://routes-mag.com/stepping-into-the-future-with-trumpeter-theo-crocker/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=stepping-into-the-future-with-trumpeter-theo-crocker</link>
					<comments>https://routes-mag.com/stepping-into-the-future-with-trumpeter-theo-crocker/#respond</comments>
		
		<dc:creator><![CDATA[Yvette Berry]]></dc:creator>
		<pubDate>Fri, 08 Apr 2022 11:49:30 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[African-American Culture]]></category>
		<category><![CDATA[African-American musicians]]></category>
		<category><![CDATA[Afro Cosmic]]></category>
		<category><![CDATA[AfroFuturism]]></category>
		<category><![CDATA[baby boomer]]></category>
		<category><![CDATA[Bill Saxton]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Charles Lloyd]]></category>
		<category><![CDATA[Chris Botti]]></category>
		<category><![CDATA[Cosmic Jazz]]></category>
		<category><![CDATA[Dizzy Gillespie]]></category>
		<category><![CDATA[Doc Cheatham]]></category>
		<category><![CDATA[Duke Ellington]]></category>
		<category><![CDATA[Gen X]]></category>
		<category><![CDATA[Grammy]]></category>
		<category><![CDATA[Herbie Hancock]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Jazz Fusion]]></category>
		<category><![CDATA[John Coltrane]]></category>
		<category><![CDATA[Miles Davis]]></category>
		<category><![CDATA[millennials]]></category>
		<category><![CDATA[Sun Ra. Sun Ra Arkestra]]></category>
		<category><![CDATA[Theo Crocker]]></category>
		<category><![CDATA[Zankel Hall]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=38958</guid>

					<description><![CDATA[<p>For the first time since the pandemic, on Saturday, March 26th at the Judy and Arthur Zankel Hall, Carnegie Hall, I stepped from confinement to</p>
<p>The Post<a href="https://routes-mag.com/stepping-into-the-future-with-trumpeter-theo-crocker/">Stepping into the Future with Trumpeter Theo Crocker</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/stepping-into-the-future-with-trumpeter-theo-crocker/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>&#8220;AfroFuturism&#8221;: Fact, Fiction or Fantasy Panel Discussion</title>
		<link>https://routes-mag.com/afrofuturism-fact-fiction-or-fantasy-panel-discussion/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=afrofuturism-fact-fiction-or-fantasy-panel-discussion</link>
					<comments>https://routes-mag.com/afrofuturism-fact-fiction-or-fantasy-panel-discussion/#respond</comments>
		
		<dc:creator><![CDATA[Perri Gaffney Ellen Levitt]]></dc:creator>
		<pubDate>Tue, 22 Mar 2022 00:24:53 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Discussion]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[African-American Culture]]></category>
		<category><![CDATA[African-American History]]></category>
		<category><![CDATA[AfroFuturism]]></category>
		<category><![CDATA[AfroFuturism Festival]]></category>
		<category><![CDATA[Alice Coltrane]]></category>
		<category><![CDATA[Black cultural lens]]></category>
		<category><![CDATA[Black Culture]]></category>
		<category><![CDATA[Black Panther]]></category>
		<category><![CDATA[Black to the Future]]></category>
		<category><![CDATA[Bootsy Collins]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Clive Gillinson]]></category>
		<category><![CDATA[Damion Kareem Scott]]></category>
		<category><![CDATA[Ellen Levitt]]></category>
		<category><![CDATA[Fadl Al-Umari]]></category>
		<category><![CDATA[George Clinton]]></category>
		<category><![CDATA[Mali]]></category>
		<category><![CDATA[Mansa Abubakari]]></category>
		<category><![CDATA[Mark Dery]]></category>
		<category><![CDATA[Metropolitan Museum of Ar]]></category>
		<category><![CDATA[Octavia E. Butler]]></category>
		<category><![CDATA[Patti LaBelle]]></category>
		<category><![CDATA[Reynaldo Anderson]]></category>
		<category><![CDATA[Routes Channel]]></category>
		<category><![CDATA[Ryan Coogler]]></category>
		<category><![CDATA[Sandhi Smalls-Santini]]></category>
		<category><![CDATA[Sun Ra]]></category>
		<category><![CDATA[the Bluebells]]></category>
		<category><![CDATA[Thor Heyerdahl]]></category>
		<category><![CDATA[Timbuktu]]></category>
		<category><![CDATA[YouTube]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=38485</guid>

					<description><![CDATA[<p>Word Up! Words and expressions can have a heyday. They can be buzzworthy. Extra popular. Used frequently and with special emphasis. In recent years, but</p>
<p>The Post<a href="https://routes-mag.com/afrofuturism-fact-fiction-or-fantasy-panel-discussion/">“AfroFuturism”: Fact, Fiction or Fantasy Panel Discussion</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/afrofuturism-fact-fiction-or-fantasy-panel-discussion/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>AfroFuturism: Chimurenga Renaissance and Fatoumata Diawara</title>
		<link>https://routes-mag.com/chimurenga-renaissance-and-fatoumata-diawara/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=chimurenga-renaissance-and-fatoumata-diawara</link>
					<comments>https://routes-mag.com/chimurenga-renaissance-and-fatoumata-diawara/#comments</comments>
		
		<dc:creator><![CDATA[Jeff Oppenheim]]></dc:creator>
		<pubDate>Fri, 18 Mar 2022 14:47:55 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[African music]]></category>
		<category><![CDATA[African Queen]]></category>
		<category><![CDATA[AfroFuturism]]></category>
		<category><![CDATA[Angola]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Chimurenga Renaissance]]></category>
		<category><![CDATA[Fatoumata Diawara]]></category>
		<category><![CDATA[Fela Kuti]]></category>
		<category><![CDATA[Hussein Kalonji]]></category>
		<category><![CDATA[Jimi Hendrix]]></category>
		<category><![CDATA[Kuduro]]></category>
		<category><![CDATA[Mali]]></category>
		<category><![CDATA[MBOMBO]]></category>
		<category><![CDATA[Mother Africa]]></category>
		<category><![CDATA[National Public Radio]]></category>
		<category><![CDATA[Nina Simone]]></category>
		<category><![CDATA[Tendai 'Baba' Maraire]]></category>
		<category><![CDATA[Vernon Reid]]></category>
		<category><![CDATA[Zankel Hall]]></category>
		<category><![CDATA[zimbabwe]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=38612</guid>

					<description><![CDATA[<p>Review AfroFuturism Concert at Carnegie Hall‘s Zankel Hall There is renewed excitement returning to live events. Each opportunity offering us a chance to rekindle our</p>
<p>The Post<a href="https://routes-mag.com/chimurenga-renaissance-and-fatoumata-diawara/">AfroFuturism: Chimurenga Renaissance and Fatoumata Diawara</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/chimurenga-renaissance-and-fatoumata-diawara/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
			</item>
		<item>
		<title>Afrofuturism Music Festival: Nicole Mitchell and Angel Bat Dawid</title>
		<link>https://routes-mag.com/nicole-mitchell-and-angel-bat-dawid-female-bandleaders/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=nicole-mitchell-and-angel-bat-dawid-female-bandleaders</link>
					<comments>https://routes-mag.com/nicole-mitchell-and-angel-bat-dawid-female-bandleaders/#respond</comments>
		
		<dc:creator><![CDATA[Ellen Levitt]]></dc:creator>
		<pubDate>Wed, 16 Mar 2022 12:00:05 +0000</pubDate>
				<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[African instruments]]></category>
		<category><![CDATA[Angel Bat Dawid]]></category>
		<category><![CDATA[Black Earth Ensemble]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[gospel]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[Nicole Mitchell]]></category>
		<category><![CDATA[Octavia Butler]]></category>
		<category><![CDATA[spiritual]]></category>
		<category><![CDATA[Sun Ra Arkestra]]></category>
		<category><![CDATA[Women's Month]]></category>
		<category><![CDATA[Women’s History Month]]></category>
		<category><![CDATA[Yusef Lateef]]></category>
		<category><![CDATA[Zankel Hall]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=38420</guid>

					<description><![CDATA[<p>African-American and AfroFuturistic dynamic duos fused in one concert As part of the this year&#8217;s Carnegie Hall Afrofuturism Music Festival, this show presented bandleaders Nicole Mitchell with her</p>
<p>The Post<a href="https://routes-mag.com/nicole-mitchell-and-angel-bat-dawid-female-bandleaders/">Afrofuturism Music Festival: Nicole Mitchell and Angel Bat Dawid</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/nicole-mitchell-and-angel-bat-dawid-female-bandleaders/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Dr. Barbara Ann Teer&#8217;s NBT-Russian Partnership</title>
		<link>https://routes-mag.com/barbara-ann-teers-nbt-russian-partnership/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=barbara-ann-teers-nbt-russian-partnership</link>
					<comments>https://routes-mag.com/barbara-ann-teers-nbt-russian-partnership/#comments</comments>
		
		<dc:creator><![CDATA[Theda Palmer Saxton PhD]]></dc:creator>
		<pubDate>Mon, 14 Mar 2022 12:02:12 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Women's History Month]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[African cultural arts]]></category>
		<category><![CDATA[African Queen Mother]]></category>
		<category><![CDATA[AUDELCO Awards]]></category>
		<category><![CDATA[Barbara Ann Teer]]></category>
		<category><![CDATA[Bjarne Melgaard]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Dasha Zhukov]]></category>
		<category><![CDATA[Garage Museum of Contemporary Art]]></category>
		<category><![CDATA[Harlem]]></category>
		<category><![CDATA[Harry Belafonte]]></category>
		<category><![CDATA[Jimmy Ricks]]></category>
		<category><![CDATA[La Zette Mc Cantz]]></category>
		<category><![CDATA[Malcom X]]></category>
		<category><![CDATA[National Black Theatre]]></category>
		<category><![CDATA[Roman Arkadyevich Abramovich]]></category>
		<category><![CDATA[Russian oligarch]]></category>
		<category><![CDATA[The Ravens]]></category>
		<category><![CDATA[War on Poverty]]></category>
		<category><![CDATA[White Man’s Guilt]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=38408</guid>

					<description><![CDATA[<p>The Seasoned Woman Speaks &#160; Dr. Teer’s National Black Theatre at Fifth Avenue and 125th Street in Harlem New York, stood as a sacred space</p>
<p>The Post<a href="https://routes-mag.com/barbara-ann-teers-nbt-russian-partnership/">Dr. Barbara Ann Teer’s NBT-Russian Partnership</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/barbara-ann-teers-nbt-russian-partnership/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
			</item>
		<item>
		<title>AfroFuturism and Transgenerational Trauma from Slavery Past</title>
		<link>https://routes-mag.com/afrofuturism-and-transgenerational-trauma/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=afrofuturism-and-transgenerational-trauma</link>
					<comments>https://routes-mag.com/afrofuturism-and-transgenerational-trauma/#respond</comments>
		
		<dc:creator><![CDATA[Ronald Bunn]]></dc:creator>
		<pubDate>Tue, 01 Mar 2022 10:26:11 +0000</pubDate>
				<category><![CDATA[Publisher's Page]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[African]]></category>
		<category><![CDATA[African American Art]]></category>
		<category><![CDATA[African-American Culture]]></category>
		<category><![CDATA[African-American History]]></category>
		<category><![CDATA[AfroFuturism]]></category>
		<category><![CDATA[Black Culture]]></category>
		<category><![CDATA[Black Panther]]></category>
		<category><![CDATA[BlackLivesMatters]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Hartmut Geerken]]></category>
		<category><![CDATA[Jazzinstitut Darmstadt]]></category>
		<category><![CDATA[PTSD]]></category>
		<category><![CDATA[PTSS]]></category>
		<category><![CDATA[Queen Mother]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Slavery]]></category>
		<category><![CDATA[Slavery syndrome]]></category>
		<category><![CDATA[Sun Ra]]></category>
		<category><![CDATA[Sun Ra Arkestra]]></category>
		<category><![CDATA[The Metropolitan Museum of Art]]></category>
		<category><![CDATA[Transgenerational Trauma]]></category>
		<category><![CDATA[Women’s History Month]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=38187</guid>

					<description><![CDATA[<p>As we close out our February issue, I find myself reflecting on the topics our Routes&#8217; writers and photographers have shared. A recurring theme in</p>
<p>The Post<a href="https://routes-mag.com/afrofuturism-and-transgenerational-trauma/">AfroFuturism and Transgenerational Trauma from Slavery Past</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/afrofuturism-and-transgenerational-trauma/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Sun Ra and his Arkestra then (1992) and now (2022)</title>
		<link>https://routes-mag.com/sun-ra-and-his-arkestra/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sun-ra-and-his-arkestra</link>
					<comments>https://routes-mag.com/sun-ra-and-his-arkestra/#respond</comments>
		
		<dc:creator><![CDATA[Ellen Levitt]]></dc:creator>
		<pubDate>Sat, 26 Feb 2022 13:59:08 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[African-American Culture]]></category>
		<category><![CDATA[Afro-Fusion]]></category>
		<category><![CDATA[AfroFuturism]]></category>
		<category><![CDATA[Black Culture]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Central Park]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Jazz Fusion]]></category>
		<category><![CDATA[Sci-fi]]></category>
		<category><![CDATA[Sonic Youth]]></category>
		<category><![CDATA[Space Is the Place]]></category>
		<category><![CDATA[Summerstage]]></category>
		<category><![CDATA[SummerStage Festival]]></category>
		<category><![CDATA[Sun Ra]]></category>
		<category><![CDATA[Sun Ra Arkestra]]></category>
		<category><![CDATA[Zankel Hall]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=37934</guid>

					<description><![CDATA[<p>When the 2022 Afrofuturism series was announced by Carnegie Hall, I scrolled eagerly through the rather eclectic line-up of the festival. I was hoping it</p>
<p>The Post<a href="https://routes-mag.com/sun-ra-and-his-arkestra/">Sun Ra and his Arkestra then (1992) and now (2022)</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/sun-ra-and-his-arkestra/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Hartmut Geerken&#8217;s Sun Ra Archive Finds A Home in Germany</title>
		<link>https://routes-mag.com/sun-ra-archive-finds/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sun-ra-archive-finds</link>
					<comments>https://routes-mag.com/sun-ra-archive-finds/#comments</comments>
		
		<dc:creator><![CDATA[Sandhi Smalls Santini]]></dc:creator>
		<pubDate>Mon, 14 Feb 2022 20:20:32 +0000</pubDate>
				<category><![CDATA[African-American history]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[African American]]></category>
		<category><![CDATA[African-American Culture]]></category>
		<category><![CDATA[AfroFuturism]]></category>
		<category><![CDATA[Archive]]></category>
		<category><![CDATA[Beat Generation]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Dr. Wolfram Knauer]]></category>
		<category><![CDATA[Egypt]]></category>
		<category><![CDATA[Fusion]]></category>
		<category><![CDATA[Futurism]]></category>
		<category><![CDATA[George Clinton]]></category>
		<category><![CDATA[Hartmut Geerken]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Jazzinstitut Darmstadt]]></category>
		<category><![CDATA[Parliament Funkadelic]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[psychedelia]]></category>
		<category><![CDATA[Ron Bunn]]></category>
		<category><![CDATA[Sun Ra]]></category>
		<category><![CDATA[Sun Ra Arkestra]]></category>
		<guid isPermaLink="false">https://routes-mag.com/?p=37741</guid>

					<description><![CDATA[<p>On Halloween 2020, amidst the height and dread of the COVID-19 pandemic, I received a telephone call from Munich, Germany. The caller was Hartmut Geerken.</p>
<p>The Post<a href="https://routes-mag.com/sun-ra-archive-finds/">Hartmut Geerken’s Sun Ra Archive Finds A Home in Germany</a> first appeared on <a href="https://routes-mag.com">ROUTES</a>. <p>]]></description>
		
					<wfw:commentRss>https://routes-mag.com/sun-ra-archive-finds/feed/</wfw:commentRss>
			<slash:comments>4</slash:comments>
		
		
			</item>
	</channel>
</rss>
