Lorez Alexandria — a 20th century Underrated Jazz Vocalist
Lorez Alexandria, born Dolorez Alexandria Turner, on August 14, 1929, in Chicago, Illinois, was a jazz singer whose talent has often been overshadowed by more widely recognized contemporaries. She has been described by many as, “One of the most gifted and underrated jazz singers of the 20th century.” Lorez’s contributions to jazz are worthy of a closer look.
Lorez’s career began in the Midwest where she honed her craft before relocating to Los Angeles in the mid-1960s. This move marked a significant turning point in her life and career. It allowed her to engage with a broader audience while, at the same time, continuing to develop her unique vocal style.
Jazz critics have frequently compared Lorez to prominent jazz vocalists Dinah Washington, Sarah Vaughan, Carmen McRae and Ella Fitzgerald.
These comparisons are not superficial; they give recognition to Alexandria’s exceptional vocal range and sensitive delivery that resonates deeply with listeners. Like Dinah Washington and Sarah Vaughan, she had the remarkable ability to convey complex emotions through song. Her interpretations of both standard jazz tunes and original compositions showed that she had an instinctual understanding of musical phrasing and timing. While she never achieved the same commercial success as some of her peers, her style remains influential within jazz circles.
Lorez navigated various styles within jazz — ranging from traditional standards to more contemporary interpretations — showcasing a versatility that appealed to diverse audiences. Her recordings from the late 1950s through early 2000s reveal an artist deeply committed to exploring emotional landscapes. Moreover, her performances were often marked by infectious enthusiasm. This engaged listeners on multiple levels. It’s a trait shared with many legendary performers, but rarely acknowledged in discussions surrounding Lorez Alexandria.
The lack of widespread recognition for Lorez Alexandria can be attributed partially to systemic issues within the music industry. These issues often marginalized artists who did not conform to mainstream expectations or marketing strategies. Despite this oversight, those who discovered her work frequently praised the depth and sophistication of her artistry.
In recent years, there has been a resurgence of interest in Alexandria’s recordings among jazz enthusiasts and scholars. She is, without a doubt, an extraordinary talent and unrecognized potential within jazz history. Lorez Alexandria passed away on May 22 2001.
LOREZ ALEXANDRIA (1980) Chicago Jazz Fest | Jazz | Live Concert | Jazz Festival | Full Album